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Opera
NESSUN DORMA (arranged for piano solo)
2:13 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 61 3 10 91%
Bass 30 36 5 8 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 61 3 10 91%
Bass 30 36 5 8 74%
 
Recitatief en Aria uit "RINALDO" - Lascia Ch'io Pianga - HANDEL
Nicolas
2:30 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 4 10 84%
Bass 18 45 6 9 100%
Bass 21 15 5 8 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 0 4 10 84%
Bass 18 45 6 9 100%
Bass 21 15 5 8 98%
 
Time To Say Goodbye
Viviacci
3:14 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 15 0 0 9 100%
Violin Treble 16 0 0 11 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 15 0 0 9 100%
Violin Treble 16 0 0 11 100%
 
"Fra da un parte etcetera" from Thalberg's Don Pasquale Fantasy Op. 67
Hazim Azlan
2:56 Est. Play
Time
38 Measures
1,383Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 47 97 18 11 97%
Bass 54 83 18 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 47 97 18 11 97%
Bass 54 83 18 8 100%
 
HWV7A2N20a - "Ah! crudel, il pianto mio deh!"
edward.maurath
2:50 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Solo Bass 20 0 3 10 100%
Contrabass Solo Bass 17 0 3 6 100%
Oboe Treble 17 0 3 9 92%
Harpsichord Treble 20 29 3 7 85%
Bass 17 7 3 6 88%
Contrabasses Bass 16 0 3 6 88%
Violas 12 0 3 7 88%
Violins
1		 Treble 19 0 4 7 88%
Violins
2		 Treble 15 0 2 6 88%
Violins
3		 Treble 13 0 1 6 88%
Violoncello Continuo Bass 17 0 3 6 88%
Violoncellos Bass 16 0 3 6 88%
Violoncello Bass 18 0 3 6 85%
Almirena 13 0 3 8 54%
 
Wagner - Pilgerchor from Tannhäuser (HornQuartet)
Dave2ooo
3:10 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
1
in
F		 Treble 17 0 7 10 100%
Horn
2
in
F		 Treble 16 0 6 10 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horn
1
in
F		 Treble 17 0 7 10 100%
Horn
2
in
F		 Treble 16 0 6 10 100%
Horn
3
in
F		 Treble 13 0 3 10 98%
Horn
4
in
F		 Treble 20 0 7 10 98%
 
Lakmé - Prélude
FranckM.
2:39 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
PIANO. Treble 42 43 28 13 100%
Bass 42 48 22 10 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
PIANO. Treble 42 43 28 13 100%
Bass 42 48 22 10 81%
 
Richard Strauss - Die Frau ohne Schatten Act 1 Bleib und Wache (Vocal Score)
LeftRight
3:07 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 59 31 11 93%
Bass 47 59 34 8 89%
Der
Kaiser		 Treble 20 0 15 8 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 59 31 11 93%
Bass 47 59 34 8 89%
Der
Kaiser		 Treble 20 0 15 8 90%
 
Richard Wagner - ENDE.zu.PARSIFAL in Full score.
Jamie Holdham
3:16 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
View all 25 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
I. Viol. Treble 19 6 4 8 100%
II. Treble 20 5 7 11 100%
Br. (get) 22 6 8 11 91%
Violas 21 6 7 11 91%
Vcl. Bass 18 4 4 12 77%
III.
IV.		 Treble 12 12 5 7 59%
K.B. Bass 10 0 1 7 55%
I. Treble 11 0 2 6 41%
Treble 12 0 2 7 50%
I. Klar. in
B.		 Treble 10 0 0 7 45%
III. Treble 6 0 1 6 27%
Treble 10 0 1 7 41%
Bass 2 0 1 2 14%
Bass 10 0 1 7 36%
Fl.
II.		 Treble 9 0 1 7 41%
I.II. Pos. 13 14 0 7 36%
I.II. Fag. 7 2 3 5 32%
II.
III.		 Treble 8 0 5 5 32%
I.
II. Horn in
F.		 Treble 9 12 3 6 27%
II.III. Treble 9 9 2 6 27%
Althob. Treble 7 0 1 6 27%
Hob.
II.		 Treble 6 0 0 6 27%
Bab-Tb. Bass 2 0 0 4 23%
I. Trp. in
F.		 Treble 4 3 0 1 9%
Pk. Bass 1 0 0 1 9%
 
Air from Terpsichore, prologue to Il Pastor Fido, HWV 8, late 1734
edward.maurath
3:16 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 21 15 6 11 100%
Bass 18 19 3 9 100%
Basso

Continuo		 Bass 18 0 3 9 100%
Contrabasses Bass 17 0 3 9 100%
Violas 16 0 3 9 100%
Violini 1 Treble 24 0 5 12 100%
Violini 2 Treble 24 0 5 13 100%
 
"Risonar mi sento al core" from "Il Pastor Fido," HWV 8a, 1712
edward.maurath
3:10 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 57 7 10 94%
Bass 25 37 7 10 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo
(Continuo)		 Treble 22 57 7 10 94%
Bass 25 37 7 10 100%
Violoncello (Continuo) Bass 22 0 7 10 100%
Basso
as Tirenio		 Bass 15 0 4 7 71%
Contrabassi (Continuo) Bass 18 0 5 7 58%
Violini Treble 20 0 4 8 58%
Violoncelli (Continuo) Bass 19 0 5 7 58%